What have been your previous appointments before coming to Prague?

After completing my university education, I began working at the Ministry of Foreign Affairs. During my time there, I served in various departments, including those focused on my country’s relations with Europe, multilateral diplomacy, and regional organizations. My previous missions have included assignments in the Netherlands, Hungary, and at the secretariat of the Economic Cooperation Organization (ECO) in Tehran. Before my current appointment in Prague, I also headed the Research Department at the Ministry of Foreign Affairs in Tehran.

My current role as Ambassador to Prague marks my first ambassadorial position. I am honored to be the 25th ambassador of Iran to Prague since diplomatic relations were established between Iran and the former Czechoslovakia, later with the Czech Republic. However, the political ties between Iran and the Czech lands stretch back several centuries, to a time just before the Thirty Years’ War in Central Europe, when three ambassadors from the Safavid court of Iran were sent to the court of Emperor Rudolf II.

Where have you travelled in the Czech Republic?

Most of my diplomatic missions have been in European countries, but I must say that, beyond the formalities, Prague and the Czech Republic seem to encapsulate the essence of Europe itself. Although I haven’t yet had the chance to explore all the beautiful Czech cities, the places I have visited have left lasting impressions. I have fond memories of the historic and prestigious Karlovy Vary, the picturesque natural beauty of Liberec and Czech Switzerland, and the enchanting fairy-tale cities of Cesky Krumlov and Trebon, along with their stunning surroundings.

What are your favorite areas of Prague?

Prague, as the capital and crown jewel of Czech cities, represents for me a living embodiment of European architectural history across different eras, while also reflecting the rich history of Central Europe through its captivating and enduring urban design. I owe much of this understanding to Ivan Klima’s insightful article “Soul of Prague.”

The blend of medieval and modern urban planning, particularly from the socialist era and beyond, fascinates me and offers much for reflection and study. In my view, the complex history of Central Europe, especially the Czech Republic, with its many triumphs and challenges, can be deeply understood by examining Prague’s architectural landmarks and cultural heritage. Mala Strana, the city’s historic heart, holds special significance for me. Leisurely walks along the banks of the Vltava River, and the green, serene spaces of Šárka and Stromovka in Prague 6, provide a peaceful retreat that I enjoy sharing with my wife.

What are the main topics on the agenda of the relationships?

between Iran and the Czech Republic?

Iran and the Czech Republic have shared a long, diverse, and deep relationship, particularly since the establishment of Czechoslovakia. Czech industries are well-known in Iran, and various sectors such as automotive, transportation, mining, and food industries have attracted interest from Czech companies. In my view, the industrial and commercial sectors of both countries have moved beyond the initial stages of recognition and now offer promising opportunities for collaboration and mutual benefit. However, I believe the current state of economic and trade relations falls short of the full potential our countries possess.

Cultural and educational ties between Iran and the Czech Republic also have a rich history. Several renowned orientalists, such as Jan Ripka and others, dedicated much of their work to researching and promoting Iran’s rich culture and literature to Europe, particularly to the Czech people. Over the past decades, classic works of Persian literature have been translated into Czech, while many Czech novels, plays, and books have been translated into Farsi, especially in recent years. I am pleased to note that, in recent years, an Iranian researcher residing in the Czech Republic was awarded a medal of honor for service to Czech culture by the former Czech foreign minister. These cultural exchanges continue in areas such as visual arts and cinema.

In the field of higher education, a significant number of Iranian students are currently studying at various Czech universities, particularly in medicine and engineering programs.

How many Iranian are living in the Czech Republic?

 

The Iranian community in the Czech Republic is relatively small compared to other foreign residents, with fewer than three thousand Iranian citizens living here. However, as far as I know, they maintain a respectful and positive relationship with the local community. Most are well-educated, and a portion of them are Iranian students pursuing their studies in the Czech Republic.

 

How is your relationship with EU developing?

It is natural and expected that Iran, as a historically significant country in West Asia, has maintained a long, continuous, and diverse relationship with European nations. The first official diplomatic ties between Iran and Europe likely date back to the early 17th century, notably with the envoy of the Safavid king to the court of Rudolph II in Prague, prior to the outbreak of the Thirty Years’ War in Central Europe. This event marks a significant moment in the history of relations between the two sides.

The past hundred years of Iran’s relations with Europe, spanning political, economic, and cultural dimensions, merit serious study and research.

Today, Iran’s relations with Europe can be analyzed on two levels: its relationship with the European Union and its bilateral relations with individual European countries. These connections have been continuous, though, as with any international relationships, they experience fluctuations, agreements, and disagreements. In diplomacy, Iran strives to maintain and foster constructive communication at all levels, working to minimize the influence of external factors, including third-party involvement, on its relations with Europe.

Your country is extremely rich of history and culture. What would

you consider to be the main cultural legacy your country is offering?

Iran boasts a long-standing, ancient, and continuous civilization that has persisted for thousands of years within the geography of the Iranian plateau. Over the centuries, Iranian society has managed to preserve and perpetuate its fundamental social, cultural, and artistic characteristics, despite numerous instances of foreign encroachment into its territory. In my view, one of the defining features of Iranian culture and civilization is its strong adherence to the deep roots of Iranian identity.

At the same time, Iranian civilization has consistently engaged in interaction and exchange with neighboring cultures, contributing to the advancement of human civilization on a broader scale. I believe that this balance—holding fast to authentic Iranian cultural traits while being open to interaction with other cultures—defines the dynamic nature of Iran’s culture, history, and civilization. These characteristics are particularly evident in Iranian art, literature, architecture, and folklore.

 

 

Is in nowadays Iranian culture also influence of the old Persian culture included?

The contemporary culture of the Iranian people is deeply intertwined with their rich history, which forms the foundation of their identity. Religion, customs, literature, and art are the key areas that connect present-day Iranian identity to its ancient past. One prominent example is Nowruz. This annual tradition, celebrated at the start of spring by all levels of Iranian society—from families to the broader community and government—has its roots in an ancient tradition that dates back thousands of years. For instance, the Iranian official calendar begins with Nowruz, which falls on March 21. If you visit Iran in March, you’ll see the entire country celebrating this time-honored occasion. While Nowruz is not exclusive to Iran and is also observed by some neighboring countries, I believe the depth and breadth of its celebration in Iran, across all levels of society, are unparalleled.

The Persian language is another important pillar of Iranian culture and identity. Although Islam became the dominant religion in Iran nearly 1,500 years ago, Iranians have preserved their rich linguistic heritage. Classical works of Persian literature—such as those by Hafez, Saadi, Rumi (Molavi), and Nizami—have endured for centuries. These works, which explore themes of epic heroism, love, mysticism, and wisdom, remain highly regarded and influential, even in modern Iranian literature. According to many scholars, these masterpieces represent a significant part of humanity’s intellectual and literary heritage.

How have the main civilization you have entered in contact with

influenced your country and how have your country influenced

them?

In my opinion, Iran’s culture and art, deeply rooted in its civilization and long history, exhibit two significant characteristics in their interaction with other cultures over several millennia. First, first, the trait of being an innovator and creator. Iranian culture and art have demonstrated a strong tendency toward originilaty and creativity. This is evident in fields such as calligraphy, painting, and architecture, which feature distinctive and innovative elements.

On the other hand, Iran’s position at the crossroads of Asian, Arab, and European civilizations has fostered extensive interaction with various regional and international cultures throughout its history. This interaction has allowed Iran to influence and be influenced by these cultures, integrating some of their features while maintaining its own unique identity. In essence, Iranian culture and art are both innovative and receptive, drawing from and contributing to the rich tapestry of global cultural and artistic achievements.

For example, modern Persian poetry and literature, which emerged about a century ago through the efforts of contemporary poets, demonstrate this dynamic interplay. These poets, while remaining faithful to the roots and content of classical Persian poetry, incorporated ideas and techniques from European literary symbolism. This fusion has led to the creation of a new style in contemporary Persian poetry, known as “new poetry,” which exists alongside the “classical poems“.

Maybe the West is not so much aware of Iranian art, literature.

Would you like to tell us something about your main authors and

artists?

I believe that elites in Western society, including scientists, researchers, and artists, may not have a comprehensive understanding of the artistic and literary features of my country. While this limited recognition might be somewhat natural among ordinary people globally, it’s worth noting the significant contributions from Iranian artists.

For instance, Iranian cinematographers have made notable impacts at major international film festivals in recent years. Directors like Abbas Kiarostami and Asghar Farhadi have garnered international acclaim and awards for their films. In the realm of authentic Iranian music, Mohammad Reza Shajarian is celebrated as a leading figure in classical Iranian music. Alongside him, artists like Kayhan Kalhor and Hossein Alizadeh have also been instrumental in introducing and promoting Iranian music.

In visual arts, Mahmoud Farshchian is renowned for his innovative approach to miniature painting. In Islamic calligraphy, masters such as Amirkhani and Shirazi stand out, particularly within the Islamic world.

The works of prominent Iranian painters and artists, including Mohassas and Zinda Roudi, as well as the late Sohrab Sepehri, have been highly valued in international art auctions across the Middle East.

It’s also important to highlight the emerging trends among the younger generation of Iranian artists. This group has dynamically redefined Iranian art, blending traditional elements with modern concepts across various fields, including music, cinema, painting, and calligraphy.

In the scientific realm, numerous Iranian scientists are making significant contributions both in Iran and globally. Notable figures who have left a lasting legacy include Mahmoud Hesabi, a pioneer in science and technology in the last century, and Maryam Mirzakhani, the Iranian mathematician who was awarded the prestigious Fields Medal.

Is there any cultural project between Iran and the Czech Republic?

In addition to the activities carried out in previous years, new ideas for research collaborations are underway in the fields of Oriental studies, religious studies, Persian language and literature, and Iranian studies with various cultural and academic centers. Efforts are also being made to catalog and introduce manuscripts held in Czech archives. Moreover, there are numerous informal interactions in areas such as books, cinema, and the arts, fostering people-to-people connections. Periodic meetings between Czech and Iranian cultural centers take place to unveil selected Czech works translated into Persian.

It is worth highlighting the contributions of an active Iranian resident of Prague, who has made significant efforts in promoting cultural relations between Iran and the Czech Republic. He has translated and authored works in this field and was recently awarded a medal of honor by the former Czech foreign minister for his contributions.

Can you tell us something about tourism in Iran? 

In my view, Iran’s most significant attraction for foreign tourists lies in its rich cultural heritage and ancient identity, spanning several thousand years. Iran boasts a remarkable architectural legacy, with 28 collections and sites included on UNESCO’s World Heritage list. Notable examples include Persepolis, Pasargadae, and the historical monuments of Isfahan, Shiraz, and Yazd.

Additionally, Iran’s diverse climate offers a unique experience, allowing visitors to enjoy four different seasons simultaneously. Tourists can explore the Mediterranean-like shores of the Caspian Sea and the Hyrcanian forests—also a UNESCO World Heritage site—and, within a few days, ski in the northeast, savor the serene beauty of the central desert in historic caravanserais, and relax on the picturesque beaches of the Persian Gulf and the Sea of Oman.

Beyond these natural wonders, Iran’s renowned hospitality and its rich culinary diversity, which varies by region, further enhance the country’s appeal.

Are Europeans, and Czechs in particular, visiting your country?

Where are tourists mostly coming from?

Certainly, there are indeed many foreign tourists visiting Iran, with most coming from neighboring countries. In addition to leisure, motivations for these tourists often include pilgrimage and medical treatment. However, Iran has always welcomed tourists from Europe and other regions throughout the year.

Czech tourists, in particular, show great interest in skiing in Iran’s mountains, hiking in the central desert, and exploring the cultural, architectural, and artistic monuments in major cities such as Isfahan, Shiraz, Yazd, and Tabriz.